FYI if you haven’t seen, the Bioware store is having a HUGE sale right now, with up to 90% off of certain things. Shipping is still a beast, but you can get a lot of shirts for like $5 and some of the jackets and sweaters are ridiculously cheap as well.
It’s true! I got two dresses and the vinyl sound track to ME
I’m not often compelled to write full-length reviews on series that I watch, but this one elicited an interesting response from me. I don’t think I’ve ever negatively changed my mind about an anime halfway through. If I like something from the start, I usually like it all the way through to the end. If I loathe something from the start, I try to determine if there’s room for development/improvement before continuing. And I’ve seen a good amount of shows turn it around.
But TAMG was really a strange experience for me. Everything pointed towards this being a quality show. All the signs were there. And I will commend it on what it did right. This show had gorgeous animation, lovely voice acting, and a breathtaking original soundtrack. As I said, all the signs pointed to this being a winner, maybe the best anime of the last 5 years or so.
But sadly, TAMG is, at its core, a reductive escapist fantasy for young girls.
I know, that is a bold statement. But I have evidence to support my claim! Promise.
We start off the show with Chise being bought by the titular Ancient Mage at a slave auction. It’s okay, though, because she willingly sold herself into slavery. Wait, you can do that? I guess. Anyway. This show’s big selling point is Chise’s growth from a sad girl with nothing to live for to…well, someone who is not that way. And it’s a relatable backstory for a main character. So far, so good.
But the rest of plot fails to sufficiently develop the rest of the world, lore, and characters in a way that makes Chise’s development interesting enough. Side characters are given at most one (1) episode of backstory before being utterly forgotten for the entire rest of the series. Plot points that you think will eventually loop back for an interesting game of Raise the Stakes just kind of wander out to sea and never come back (aka Chise’s family…um…her dad and brother are still out there!). The lore of the fairies and magic is just kind of there and never properly explored or utilized. Chise is supposedly there to learn magic from Elias as her teacher, yet we don’t really ever see him instructing her in the theory of it, or her magical skills progressing. All we’re really told is that Chise is both incredibly strong and weak as shit as the same time. Makes sense.
Elias’ origin is completely ignored, even that could have been an amazing addition to the story as it’s so shrouded in mystery and intrigue and often hinted at by several characters. So, at about the rough halfway point of the series, I had all these loose ends and unexplored areas of the story in my head that I was really excited about, but they never materialized in the second half. The main “villain” in the show was kind of sad and easily defeated.
The second cour of the show was focused almost exclusively on what is, in my opinion, the most mundane, cloying, and dull part of the story: the relationship between Elias and Chise. Yep, sorry friends. I don’t find these two even remotely well suited to each other in any capacity, least of all romantic. Try picturing them together when Elias is in human form; that creeps me out more than his usual form. From the very beginning, I have disliked Elias. I find him boring. Oh boohoo, you’ve been wandering around Earth for hundreds of years and still haven’t figured out what “sad” “happy” “jealous” and “angry” feel like? Are you stupid as well as inexperienced, or just willfully ignorant? Because he managed to study and become proficient in the art of magecraft, but never could figure out why watching Titanic made his eyes leak? How many times do we have to watch Elias clutch his heart and say, “Is this what _______ feels like?” Just shut up. I find it hard to believe that in between all the magic and failed cooking lessons with Lindel, they never talked about how they felt in the hundreds of years that Lindel was taking care of him? *Dr. Phil voice* Really now?
Elias’ cluelessness about basic human emotions is the basis for about 99% of the personal conflicts/drama in the story, and it gets tiresome and feels cheap. Why does anime love to center on characters who don’t know how to feel? Does it give them more agency to act like a dick? Do young girls swoon after men who don’t really care about anything? Elias is frustrating, because we never get to see him break through that monotonous “teach me how to feel” crap, except for when he’s having a rage tantrum. But we never see him buckle down and really unload on how he’s feeling in an open and communicative way. He’s very selective with what he shares, and when he does it’s because Chise is prodding him to do it.
What I found essentially disappointing about this story is how everything in it was just there to further the drama between Chise and Elias without actually furthering the story itself. Everything Elias does to Chise, from how he constantly touches/grabs/picks her up without her permission, how he looms over her menacingly in his monster form when he’s jealous, how he calls her diminutive pet names, irritates me. Chise is a child who has nothing; of course she is going to gravitate to someone who offers her the only thing she wanted: a place to call home. What’s his excuse? He is the one in the position of power, and does he ever use it to his advantage.
How many times do we witness Elias withholding information from Chise, policing her, acting shady, throwing a giant temper tantrum, and being generally creepy and possessive? The anime is masterful in that it succeeds in writing it all off as romantic and cute, because “Elias doesn’t know what emotions he’s feeling! It’s cause he must love her LOL” Again, this was a lame excuse so that Elias could have license to be an asshole. All they needed was a cool/handsome/monstrous character design and a smooth af voice actor to make it all okay. But it isn’t. Chise did not, and still doesn’t have the agency to choose differently.
And I almost fell for it too; that’s how good it is. Because it ropes you in with great production value. I admit that instinctively I am just a dumb ape who will go gaga over anything shiny and pretty. And this anime certainly is those things, but it doesn’t capitalize on the amazing potential it set up from its very beginning, choosing instead to focus on relationship drama between two people who really should not be involved romantically at all.
I ask this: would it have detracted from the story at all for them to have had an adoptive parent and child relationship, to which both characters’ age, experience, and power dynamic was a lot better suited? Would it have been less meaningful? Why did they have to be set up as husband and wife from the get go? What was the point, other than to provide a weak and frankly disturbing plot point? If parent/child is a no-go, how about we make the female main character older than 20 years old for once? Even that would have been preferable.
I did read the manga, and the author tries to dance around the issue by once again using Elias’ inexplicable lack of emotional intelligence as an excuse. He doesn’t know what a bride is, he doesn’t understand the concept of marriage, he means it innocently etc. Okay, BUT, Chise, the rest of the characters, the author of the manga himself, the readers, and literally everyone else understands exactly what marriage is and what it implies. That is the connection the author intends us to make with all the symbolism and mushy dialogue between the two of them (as well as other characters’ observations about them both). It doesn’t matter how ambiguous the author is being about something; if it’s there, it’s there. Let’s call the spade a spade.
So the story revolves primarily around the romantic development between an indisputably adult male who also holds all the resources/power, and an emotionally broken child who can’t refuse. TAMG did not develop the rest of its story enough to distract me from this point, and I was just never able to look past it. It was glaring at me with each episode I watched.
Sure, Chise gets mad sometimes, and Elias eventually comes around from pouting when he realizes he could lose her. He eventually offers a monotone apology and all is right as rain. Chise eventually develops into the Needlessly Self-Sacrificing Main Character that anime relies on just a touch too heavily. It feels disingenuous and not at all relatable. It’s tiresome.
Towards the end, Chise gets some resolution from an old painful memory during an arc where she finally breaks free of Elias so she can act of her own accord for once. Which I really liked. But then she just ran home, forgave Elias a little too easily for all his bullshit, and ended up “marrying” him (again, everything is shrouded in an infuriating layer of ambiguity because nobody wants to call it what it is, but alllllll the right symbolism is there, we can figure it out ffs). That came completely out of left field for me and solidified my hunch that this is meant to be a teen fantasy and little else: leaving everything behind only to be saved, controlled by, and obsessed over by an ominous, rich, handsome, and overbearing man who just won’t keep his hands to himself.
There’s so much more I wanted to know about, and I get that you can’t fit everything into 24 episodes. But people like Silky, Ruth, Renfred, and Alice were utterly forgotten about even though they had solid, developed stories in the beginning of the anime. It’s like they hooked me in and left me hanging; the whole time I was waiting for MORE from those characters. For Silky to say even one word or to have more of a relationship with Chise other than hugging her dramatically from time to time, for Chise and Ruth to have another mage/familiar moment (or even arc). Things like that would have added so much more depth and significance to the story than even one more minute of Elias and Chise weirdly cuddling (or sleeping in bed together….honestly, wtf).
So in conclusion (am I writing a thesis or something?), The Ancient Magus’ Bride felt something like a betrayal. It drew me in with the promise of a gorgeous and heartfelt story, only to focus on what I thought was an inappropriate and in essence, hollow relationship. I’m sure 16-year-old me would have eaten all of this up like a six-course meal. But as I get older and automatically tend think a lot more critically about why I like or dislike things, something like this isn’t going to cut it for me. It pulled at the heartstrings with emotive music and pretty visuals, but left me wanting so much more. I don’t want the media I consume to make me feel like I should like it; I just want to.
To any teen girls who adore this anime, I’m not telling you what to personally like/dislike. But I do hope you’ll think about why you do, and contemplate the fact that just because something is wrapped up in pretty packaging, doesn’t necessarily mean it’s harmless. Or, just enjoy it without a second thought and leave me to my over-analyzing. I do admit I look very closely at things, but I don’t know any other way to be.
TLDR; A lot of style, not a whole lot of substance. 4.5/10
• Had a character fling their trousers or skirt against the wall in the throes of passion- only to realise they never lost their shoes
• Found themselves grazing every reference work under the sun and gave up realising lips have no synonyms
• Frozen in front of their screen, feeling like a shy virgin
• Wrecked their heads trying to find that perfect balance between daring and crude
• Embarrassed the other sex asking by them questions for research
• Been hesitant to start on a piece, worried that it’ll read exactly like their other ones
• Lost overview of what positions their characters are in and where all those limbs are at
• Awkwardly googled a position or practice they have no personal experience with
• Been afraid to hit the post button for fear that nobody else will find their fantasies appealing
Erotica is just as challenging to write as any other type of story.
Don’t ever let anyone tell you otherwise. Don’t ever allow yourselves to be condescended upon.
Know what hard work you do. Know all erotica writers have struggled with these issues. Know the skills you’ve had to acquire. Know your works are worth just as much as plot-driven ones.
And most importantly, keep writing.
YES. THANK.
As authors of romance and romantic erotica, we can 100% endorse this post.
If you ever are afraid you’ve forgotten to remove a piece of clothing there is help. The phrase “The rest of their clothing came off in a flurry of fabric and passion.” or something like that.
Basically, find the handwaves and know how to use them. LOL
Completely agree. They never come out and say ‘marriage’ but with a dress, veil, rings, and even the two mentioning how close the situation is to one, it’s blatantly obvious that’s what the writers want it to read as. It’s not just her age that makes me uncomfortable with it, but their maturity level too. They’re mentally children.
I think this is the end of The Ancient Magus’ Bride because it’s been so rushed and the whole title has already come to fruition, so I don’t really see them continuing. Not unless they create an entirely new story because they only hinted at two villians here, and one is out of the picture (and also a bit boring to come back so soon) and the other is one to stay behide the curtain and have others do the dirty work. No one else was introduced to become a possible foe, so that also makes me believe it’s over.
I’ll still read the manga when it comes out, just because I’m invested. It’s a shame to see such an interesting world, lore, and characters go the way it has. I guess I’ll just pretend the ending never happened for now.
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